Exploring the Intersection of Art, Culture, and Contemporary Scientific Discourse

Authors

DOI:

https://doi.org/10.63931/ijchr.v7i1.95

Keywords:

Cultural and Artistic Practices, Cultural Studies, Culture, Intercultural Communication, National Identity, Theoretical and Practical Cultural Studies

Abstract

Contemporary cultural and artistic practices are undergoing significant transformations under the influence of digitalisation, globalisation and socio-political changes. The study aims to identify the main trends in developing contemporary art practices and analyse their impact on cultural processes. The methodological basis of the study is the structural-functional, discursive, semiotic, cultural and historical approaches that allow for a comprehensive assessment of the interaction between art and socio-cultural processes. The study has confirmed that digitalisation helps to expand access to art and promote cultural heritage, but at the same time, creates risks of commercialisation and loss of authenticity of local traditions. It has been found that intercultural dialogue through art shapes new artistic styles but can also lead to the unification of artistic practices. Globalisation promotes the interpenetration of cultures but increases the influence of global commercial trends on creativity. The study's practical significance lies in developing recommendations for balancing innovative and traditional artistic practices, which may be helpful for cultural institutions, heritage preservation policies and educational programmes. Further research can be aimed at analysing the impact of artificial intelligence on artistic creativity and developing mechanisms for preserving cultural uniqueness in the context of digital globalisation.

Author Biographies

  • Svitlana Oborska, Kyiv National University of Culture and Art

    Candidate in the art criticism, Professor, Associate Professor of the Department of Event Management and Leisure Industry, Kyiv National University of Culture and Arts, Kyiv, Ukraine

  • Volodymyr Pylypiv, Kyiv National University of Culture and Arts, Kyiv, Ukraine

    Candidate of Historical Sciences, Professor, Private Higher Educational Institution “Kyiv University of Culture”; Associate Professor of the Department of Event Management and Leisure Industry, Kyiv National University of Culture and Arts, Kyiv, Ukraine

  • Olena Hubernator, Kyiv National University of Culture and Arts, Kyiv, Ukraine

    Doctor of Philosophy, Associate Professor of the Department of Event Management and Leisure Industry, Kyiv National University of Culture and Arts, Kyiv, Ukraine

  • Maryna Kozlovska, Kyiv National University of Culture and Arts, Kyiv, Ukraine

    Doctor of Philosophy, Department of Event Management and Leisure Industry, Kyiv National University of Culture and Arts, Kyiv, Ukraine

  • Maryna Pashkevych, Kyiv National University of Culture and Arts, Kyiv, Ukraine

    Candidate of Cultural Studies, Associate Professor of the Department of Event Management and Leisure Industry, Kyiv National University of Culture and Arts, Kyiv, Ukraine

  • Vasyl Semykras, Taras Shevchenko National University of Kyiv, Kyiv, Ukraine

    Candidate of Philosophical Sciences, Associate Professor of the Department of Ukrainian Philosophy and Culture, Philosophy Faculty, Taras Shevchenko National University of Kyiv, Kyiv, Ukraine

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Published

2025-06-16

Issue

Vol. 7 No. 1 (2025): International Journal on Culture, History, and Religion

Section

Articles

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Copyright (c) 2025 Svitlana Oborska, Volodymyr Pylypiv, Olena Hubernator, Maryna Kozlovska, Maryna Pashkevych, Vasyl Semykras

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

Exploring the Intersection of Art, Culture, and Contemporary Scientific Discourse. (2025). International Journal on Culture, History, and Religion, 7(1), 97-111. https://doi.org/10.63931/ijchr.v7i1.95

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