Experimental Artistic Practices in Contemporary U.S. Culture: Identity Transformation and Global Influence
DOI:
https://doi.org/10.63931/ijchr.v7i1.120Keywords:
audience participation, digital art, emotional engagement, installation, political and social issues, text-based artAbstract
This article investigates experimental techniques in contemporary American art and their global impact. The research explores how contemporary American artists, particularly James Turrell, Jenny Holzer, and Bill Viola, employ experimental techniques through their aesthetic experiences, motivations, and intentions. It also examines how the international art community perceives these techniques. A phenomenological approach was employed, emphasizing subjective experience and interpretation. The findings reveal that experimental art practices in the United States are characterized by innovation and unconventional approaches, with techniques such as light and space manipulation, text-based art, and video art widely used. Additionally, bioart, interactive and participatory installations, and digital art expand the scope of experimental practices. These works reflect critical social and political issues and invite audience responses, constructing new realities through innovative materials and techniques. The study demonstrates the significant global influence of American experimental art, contributing to cross-cultural dialogue and the evolution of contemporary artistic discourse. The findings hold implications for integrating interdisciplinary, technology-oriented approaches into art education and curation, encouraging innovation and audience engagement.
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